THE DEVELOPMENT OF FABRIC PATTERNS FROM THE STUDY OF KIRI WONGKOT VILLAGE TOURIST ATTRACTIONS. UDON THANI PROVINCE

  • Chanoknart Mayusoh Suan Sunandha Rajabhat University
  • Akapong Inkuer Suan Sunandha Rajabhat University
  • Supawadee Juysukha Suan Sunandha Rajabhat University
  • Taechit Cheuypoung Suan Sunandha Rajabhat University
Keywords: Fabric pattern, Cultural capita, Khiri Wongkot

Abstract

This research is studied in a research project. “The development of fabric patterns from the
study of tourist attractions in Kiri Wongkot Village. Udon Thani Province” to design fabric
patterns The research objectives are To explore the cultural history, arts, customs, traditions,
and the essence of Kiri Wongkot Village, Udon Thani Province, under the theme of "Kiri
Wongkot Way of Life," with the aim of strengthening the local cultural community. To
examine and analyze the styles, materials, types, and production techniques of indigenous
textiles in Kiri Wongkot Village, Udon Thani Province, and to utilize these findings to develop
guidelines for contemporary fabric and clothing design. To conduct research and
experimentation in innovating local textile patterns for contemporary clothing design.
The research results have revealed that the original fabric patterns of Kiriwongkot Village
resemble checkered patterns reminiscent of loincloths, as well as animal motifs like crabs,
inspired by the local environment. These patterns have been employed as the foundation for
fabric pattern design, utilizing artistic principles encompassing lines, shapes, and forms.
Drawing inspiration from the architectural features of residential structures and everyday
objects, the researcher has incorporated various structures, lines, and shapes to create visually
appealing patterns with depth and dimension. Creative styles have been utilized to design these
patterns, with intricate details at the pattern's center that allow for repetition when creating
fabric patterns.
The color palette selected reflects the beauty of Thailand, featuring tones that resonate with
the country's unique vibrancy. This has resulted in the creation of exquisite and distinctive
pattern designs. Notably, the primary color tones in Pattern 1 include shades of yellow, green,
grey, and blue. These patterns can be applied in designing a wide range of products, such as
bags, hats, ties, and more. This innovation has the potential to uplift and advance the careers of
local villagers, thereby increasing their income. By transforming cultural heritage into woven
patterns, this endeavor adds a touch of uniqueness and creates added value. It aligns with the
concept of the Sufficiency Economy Philosophy, considering both aesthetic and utilitarian
aspects in line with the daily preferences of consumers, particularly the GEN Y group, who
prioritize beauty and seek clothing that reflects their individuality.
Moreover, there is an opportunity to develop and design clothing suitable for work, casual
wear, and festive occasions, offering a variety of intriguing styles. The design principles
prioritize shapes that are easy to wear and flexible, with an emphasis on patterns and colors
that are both beautiful and wearable, in accordance with the principles of fashion design.

Published
2024-03-20